The first book dedicated solely to this important member of the Russian avant-garde, this volume profiles Lazar Khidekel, a brilliant artist and architect whose career proves a key link in the story of abstraction. For decades the work of Lazar Khidekel has been undeservedly overlooked by galleries and museums?primarily because the Russian avant-garde movement was interrupted midstream and forced underground by the Soviet state. This elegantly designed book provides the perfect introduction to Khidekel's decades-long career and coincides with a recently renewed fascination with Suprematism and the development of 20th-century abstraction. A student of Chagall and Malevich, Khidekel was an artistic prodigy whose fascination with architecture led to his part in the founding of UNOVIS, or «Affirmers of the New Art.» He later became a significant figure in the Suprematist movement, a distinctly Russian form of abstraction. The volume features the best examples from each phase of Khidekel's career, from his pre-Suprematist work and early architectural and eco-futuristic projects to his post-Suprematist paintings, works on paper, and architectural projects.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
80 ans après, il est toujours essentiel de faire comprendre cet événement aux plus jeunes
Selma ne vit que pour les chevaux et c’est à travers eux qu’elle traverse cette période violente si difficile à comprendre pour une adolescente...
"Osons faire des choses qui sont trop grandes pour nous", suggère Maud Bénézit, dessinatrice et co-scénariste de l'album
"L’Antiquité appartient à notre imaginaire", explique la romancière primée cette année
