Dans ce recueil de 13 nouvelles, la jeune autrice mexicaine frappe fort mais juste
American sculptor Michael Heizer (born 1944) was among the first artists to reject the white cube gallery space in favor of the open land and majestic vistas of the western United States. Michael Heizer marks the unveiling of Collapse (1967/2016) and Compression Line (1968/2016) at Glenstone Museum. Monumental in scale but composed with rhythm and elegance, the two sculptures individually embody opposing aspects of Heizer's sculptural practice: beams exploding from an unseen depth and a sliver of space compressed so precisely that the viewer is unaware of the vast negative area hidden beneath it. This book includes an interview with the artist, previously unpublished archival images and extensive process and installation photography.
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Dans ce recueil de 13 nouvelles, la jeune autrice mexicaine frappe fort mais juste
Une fiction historique glaçante et inoubliable, aux confins de l’Antarctique
Découvrez les derniers trésors littéraires de l'année !
"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"