80 ans après, il est toujours essentiel de faire comprendre cet événement aux plus jeunes
What if the letter A were an aggressive drunk who got into barroom brawls with his neighbor, B? Taking the term «word play» literally, illustrator Aaron McKinney sets the alphabet against a backdrop of rebellious behavior in The Unruly Alphabet. From hurling to undressing, McKinney's bold renderings are darkly comical. By revealing the devilish characters embodied by each letter, they visually showcase human nature.
Aggressive and detailed, McKinney's cantankerous glyphs compete in strange and nightmarish ways-C is chased by a devouring D, M mauls a napping N, and S swallows and terrorizes T.
«I've always been interested in etymology,» McKinney says. «The way words, a human constructed concept, play off one another to somehow convey thought and expression in our minds fascinates me. With that thought in mind, I decided to strip language down to its most primitive form, the alphabet. To make it interesting, I anthropomorphized each letter with some of humanity's most common, despicable traits. With each letter playing off the next, the end result is the alphabet, a pretty inorganic and deliberate thing made more barbarically human.»
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
80 ans après, il est toujours essentiel de faire comprendre cet événement aux plus jeunes
Selma ne vit que pour les chevaux et c’est à travers eux qu’elle traverse cette période violente si difficile à comprendre pour une adolescente...
"Osons faire des choses qui sont trop grandes pour nous", suggère Maud Bénézit, dessinatrice et co-scénariste de l'album
"L’Antiquité appartient à notre imaginaire", explique la romancière primée cette année