When the European Fluxus group disbanded in 1964 after two eventful years, Tomas Schmit (1943-2006), who had participated in the group's actions as a performer, gradually withdrew from performing. From 1966 he devoted himself primarily to writing and drawing. But the idea of the stage as a place where an action is performed in front of and with an audience did not disappear from his art. From then on, Schmit staged "the performance of drawing" on paper. The close interlocking of performance and drawing practice that characterizes Schmit's entire oeuvre will be brought into focus for the first time in the exhibition of the Kupferstichkabinett, which will take place in the fall of 2021, and in the accompanying catalog. At the same time, the project reflects the manifold spectrum of Schmit's nearly 40 years of comprehensive drawing and language art.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
Des incontournables et des révélations viendront s'ajouter à cette liste au fil des semaines !
A gagner : des exemplaires de cette BD jeunesse sur fond de légendes celtiques !
L'autrice coréenne nous raconte l'histoire de son pays à travers l’opposition et l’attirance de deux jeunes adolescents que tout oppose
Mêlant la folie à l’amour, l’auteur nous offre le portrait saisissant d’une « femme étrange » bousculant les normes binaires de l’identité sexuelle
