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An innovative history and critical account mapping the ways artists and their works have engaged with, and offered commentary on, modern spectacle in both capitalist and socialist modernism over the past ninety years.Focuses on artists whose work expresses the concept of revolutionary social transformation Provides a strong historical narrative that adds structure and clarityFeatures a cogent and innovative critique of contemporary art and institutionsCovers 100 years of art from Vladimir Tatlins constructivist Monument to the Third International, to Picassos late 1940s commitment to Communism, to the Unilever Series sponsored Large Artworks installed at Londons Tate Modern since 2000.Includes the only substantial account in print of John Lennon and Yoko Onos 1969 Montreal Bed-inOffers an accessible description and interpretation of Debords society of the spectacle theory
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L’écrivain franco-vénézuélien Miguel Bonnefoy poursuit l’exploration fantasmagorique de sa mémoire familiale...