80 ans après, il est toujours essentiel de faire comprendre cet événement aux plus jeunes
At the dawn of the Restoration Period, Suzanne Thornton hopes to find a second life in the theater. But instead, on opening night, she finds a dead body on stage The triumphant return of King Charles II in 1660 is occasion for much celebration in London. The Merry Monarchs unquenchable thirst for entertainment creates opportunities for everyone from tavern keepers to brothel owners to actors.
One of these is Suzanne Thornton. No longer a kept woman since her man has fled, she sees an opportunity to reopen a theater and stage the classics--Shakespeare, Marlowe, and the like. And now, thanks to Royal decree, Juliet can be played by a woman. Suzanne secures financing from an old lover, assembles a troupe, and restores the venue--none other than the historic Globe Theater.
Tragically, during the opening night performance, a dead body lands on the stage.
After the curtain comes down, Suzanne finds herself a suspect. But she also finds that murder is good for business--the next nights performance is sold out. Wishing to live to enjoy her success, Suzanne undertakes her own investigation to find a killer who may try to close her down for good
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
80 ans après, il est toujours essentiel de faire comprendre cet événement aux plus jeunes
Selma ne vit que pour les chevaux et c’est à travers eux qu’elle traverse cette période violente si difficile à comprendre pour une adolescente...
"Osons faire des choses qui sont trop grandes pour nous", suggère Maud Bénézit, dessinatrice et co-scénariste de l'album
"L’Antiquité appartient à notre imaginaire", explique la romancière primée cette année