Wordsworth's 'meanest flower that blows' suggested to him 'thoughts that do often lie too deep for tears'. The lyrics, elegies, songs and ghazals in Mimi Khalvati's book pay attention to things the imagination generally disregards, an attention that is concentrated, intense and unapologetically Romantic. Hers is the true voice of feeling, undeflected by irony or self-deprecation. There is rapture in these poems as well as a tragic sense: nature, childhood, motherhood and family relationships all have a double valency, a give and take, to which Khalvati witnesses with a feeling sharpened by love and grief.
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