"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Sarah Sze inhabits architectural spaces with a spider-like thoroughness and ingenuity, weaving fragile webs of glue threads and matchsticks around junctures of commercially-bought ephemera: Q-tips, plastic flowers, beads and baskets, paper goods, and mini-video projectors. She infiltrates every crevice and corner and explodes off of walls with a construction always spontaneously, intuitively responsive to its given environment. This catalogue documents and contextualizes the recent departure from closed environments that Sze took in creating an outdoor project at Bard College in upstate New York, a move which necessitated a subtle shift to materials which could withstand the elements. Sze has said that the exhibition space becomes a studio during her installations; here, her studio is a meadow. Essays by Elizabeth A.T. Smith, Douglas Rushkoff. Introduction and interview by Amada Cruz. 11 x 9.5 in. 24 color illustrations
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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