"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Post-war Paris brought a blossoming of culture and thought. The Nouvelle Vague transformed French cinema, young couturiers reinvigorated French fashion, existentialism flourished in literature and philosophy, and the city swung and swayed to a vibrant jazz and rock 'n' roll scene. In the middle of it all, was Paul Almasy.
The well-travelled photojournalist, born in Hungary, had made Paris his hometown and spent his days and nights wandering its alleys, avenues, and after-hours bars. Through his photographs, we visit the old markets and artist's studios, its music joints and glamorous cafes, but also the burgeoning banlieues, where immigrant workers were housed in high-rise apartment blocks in peripheral and isolated locations.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
Participez et tentez votre chance pour gagner des livres !