80 ans après, il est toujours essentiel de faire comprendre cet événement aux plus jeunes
In the title story; Bikram achieves his most urgent middle-class dream; to emigrate to London. Young phoren-returned Nepalis hang out in the bars of Thamel in 'Night Out in Kathmandu'; sharing tables with those who did not-'could not-'go. They talk about pretty much the same things: visas; music; booze; the impossibility of getting laid in the city. There are foreigners too; trekking on the usual routes; smoking cheap grass and looking for their inner selves. The Maobadis loom large in 'Home for Dashain'; wreaking vengeance on behalf of the people. Though rarely mentioned in the city; they are ever present; invoked by the sad pole dancers in the more risqué bars and the transvestites pounding the streets looking for customers. And in 'Aryaghat'; a Kathmandu family lays to rest the ashes of a Nepali boy who has committed suicide in Alabama.
The sixteen stories in Nothing to Declare are passionate; pensive and at times disenchanted. They mirror the experiences of the middle-class youth of Kathmandu as they build lives; trying to make sense-'and pushing the limits-'of a rapidly changing but ever-conservative society. Vividly imagined and deeply felt; this is a brilliant debut.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
80 ans après, il est toujours essentiel de faire comprendre cet événement aux plus jeunes
Selma ne vit que pour les chevaux et c’est à travers eux qu’elle traverse cette période violente si difficile à comprendre pour une adolescente...
"Osons faire des choses qui sont trop grandes pour nous", suggère Maud Bénézit, dessinatrice et co-scénariste de l'album
"L’Antiquité appartient à notre imaginaire", explique la romancière primée cette année