"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Known for his long-exposure photographic series of empty movie theaters and driveins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of twentieth-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier''s Chapel de Nutre Dame du Haut, and Tadao Ando''s Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck''s Asahi Breweries, Fumihiko Maki''s Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni''s Santelia Monument Como, the World Trade Center, Mies van der Rohe''s Seagram Building, Antonio Gaud''''s Casa Batll* II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America and Asia.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
Participez et tentez votre chance pour gagner des livres !