"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Philip Taaffe (born 1955) emerged in the 1980s alongside a generation of American painters who breathed new life into abstraction, at a time when it had been somewhat languishing in the wake of Pop art and Minimalism. Heavily layered and often grand in scale, Taaffe's paintings renew abstraction through a meticulous juxtaposition of appropriated symbols and emblems from a multitude of customs and epochs, many of which the artist encounters during his travels through South America, India and the Middle East. Taaffe's art is thus both beautiful and erudite, informed by an encyclopedic knowledge of literature and anthropology. Philip Taaffe: Anima Mundifeatures mixed-media and mostly abstract paintings executed over the past ten years. It includes original texts by Colm Tóibín and Enrique Juncosa as well as an interview between Taaffe and David Brody.
Featured image is Phillip Taafe's Sanctuary, mixed media on canvas, from 2002.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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