Beatrice, a solitary young jazz singer from a genteel Parisian suburb, meets a mysterious woman named Polina. Polina visits her at night and whispers in her ear: 'There are people who leave their bodies and their bodies go on living without them. These people are named Natasha.' Cesar, a lonely Mexican actor working in a call centre, receives the opportunity of a lifetime: a role as a serial killer on a French TV series. But as he prepares for the audition, he starts falling in love with the psychopath he is to play. Beatrice and Cesar are drawn deeper into a city populated with visions and warnings, taunted by the chorusing of a group of young women, trapped in a windowless room, who all share the same name ... Natasha. A startlingly original novel that recalls the unsettling visual worlds of Cindy Sherman and David Lynch and the writing of Angela Carter and Haruki Murakami, The Natashas establishes Yelena Moskovich as one of the most exciting young writers of her generation.
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Une fiction historique glaçante et inoubliable, aux confins de l’Antarctique
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
