"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
The Corner House was making a good job of New Year's Eve, despite the bad weather, the blackout, the looming threat of rationing . . . The Nippies were dashing to and fro with their big silver trays and the war seemed suddenly far away.' So begins 1940 for the Nippies at the Lyons Corner House at Marble Arch. But despite putting on a cheerful face for the customers, the war is taking its toll on all the waitresses: for Maggie, married just a few hours, and then parted from her husband; for Jo and Phyl, anxiously waiting for news from their fiances; for Etty, and the constant jibes she faces about her background; and even for Irene, who begins a new friendship which is not all it appears to be . . .
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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