On the reconstitution of a body, death, translation, and editing.
This first monograph on artist and filmmaker Nicole Miller focuses on a single sculpture by the artist: Michael in Black (2018). This book brings together a cohort of writers and other artists through newly commissioned texts and works for the page, as well as republished texts and images that exist as their own whole. Some texts hinge on the sculpture, others are tangents. The book's texts and images build on each other, functioning as a prism for the publication's subject.
Michael in Black (2018) is a bronze cast of Michael Jackson's kneeling figure, poured from a mold made directly from his body around 1986. This talismanic object comprises myriad aspects of celebrity and image: the objecthood of the performer, the potency and perversity of objects, death, and grief.
This sculpture is an outlier in Miller's work, though it excavates some concerns she has similarly articulated in moving image: her recurring interest in the self-performance of her film subjects; the dehumanizing effects of the mass gaze; the celebrity as a host object for contemporary projections; the tactility of film, the sculptural qualities of editing; and the potential for self-storytelling to reconstitute an individual's wholeness.
Il n'y a pas encore de discussion sur ce livre
Soyez le premier à en lancer une !
Taïna, indienne des Caraïbes, a été instruite dès son enfance pour devenir chamane, mais Christophe Colomb et les Espagnols arrivent...
Une belle adaptation, réalisée par un duo espagnol, d'un des romans fondateurs de la science-fiction, accessible dès 12 ans.
Merci à toutes et à tous pour cette aventure collective
Lara entame un stage en psychiatrie d’addictologie, en vue d’ouvrir ensuite une structure d’accueil pour jeunes en situation d’addiction au numérique...
