Early in the September of the year 1651 the afternoon sun was shining pleasantly into the dining-hall of Forest Lea House. The sunshine came through a large bay-window, glazed in diamonds, and with long branches of a vine trailing across it, but in parts the glass had been broken and had never been mended. The walls were wainscoted with dark oak, as well as the floor, which shone bright with rubbing, and stag's antlers projected from them, on which hung a sword in its sheath, one or two odd gauntlets, an old-fashioned helmet, a gun, some bows and arrows, and two of the broad shady hats then in use, one with a drooping black feather, the other plainer and a good deal the worse for wear, both of a small size, as if belonging to a young boy
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
Au Rwanda, l'itinéraire d'une femme entre rêve d'idéal et souvenirs destructeurs
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