Taïna, indienne des Caraïbes, a été instruite dès son enfance pour devenir chamane, mais Christophe Colomb et les Espagnols arrivent...
This is a book for everyone who has ever wondered why pubs should be called The Cross Keys, The Dew Drop Inn or The Hope and Anchor. You'll be glad to know that there are very good - strange and memorable - reasons behind them all.
After much research about (and in) pubs, Albert Jack brings together the stories behind pub names to reveal how they offer fascinating and subversive insights on our history, customs, attitudes and jokes in just the same way that nursery rhymes do. The Royal Oak, for instance, commemorates the tree that hid Charles II from Cromwell's forces after his defeat at Worcester; The Bag of Nails is a corruption of the Bacchanals, the crazed followers of Bacchus, the god of wine and drunkenness; The Cat and the Fiddle a mangling of Catherine La Fidele and a guarded gesture of support for Henry VIII's first, Catholic, wife Catherine of Aragon; plus many, many more.
Here too are even more facts about everything from ghosts to drinking songs to the rules of cribbage and shove hapenny, showing that, ultimately, the story of pub history is really the story of our own popular history
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Taïna, indienne des Caraïbes, a été instruite dès son enfance pour devenir chamane, mais Christophe Colomb et les Espagnols arrivent...
Une belle adaptation, réalisée par un duo espagnol, d'un des romans fondateurs de la science-fiction, accessible dès 12 ans.
Merci à toutes et à tous pour cette aventure collective
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