"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
Is it every woman's fate to turn into her mother? This is renowned writer and journalist Virginia Ironside's poignant and blackly funny memoir of life with fashion professor and media icon Janey Ironside. Stylish, beautiful and self-loathing, Janey Ironside was to lead a cultural revolution. In 1956 she became Professor of Fashion at the Royal College of Art, then an extraordinary appointment for a young mother. Discovering and promoting designers like Ossie Clark and Bill Gibb, she changed the way people dressed around the world and herself became a fashion icon. Yet the qualities that made her great - wit, talent and drive - did not bring happiness to either her or her family. Having grown up in colonial India, Janey suffered a painful childhood separation from her parents. She married dashing artist Christopher Ironside, but eking out wartime rations ill-suited a woman whose idea of divine punishment was 'to spend eternity washing up.' Dress-making soon filled the void, while her daughter Virginia endured a string of au pairs, embarrassing outfits and acute loneliness. As Virginia fought to be her own person, plunging into the swing of the sixties as a rock journalist, she was caught between a father she adored and a mother bent on self-destruction. Now a renowned writer, she has drawn a startling portrait of a gifted woman in a time of extraordinary change. Blackly comic, beautifully written and deeply moving, JANEY AND ME reflects the universal struggle to emerge from our parents' shadow.
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"On n'est pas dans le futurisme, mais dans un drame bourgeois ou un thriller atmosphérique"
L'auteur se glisse en reporter discret au sein de sa propre famille pour en dresser un portrait d'une humanité forte et fragile
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